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Texts for reading and contemplation


Booklet of Contemplative Philosophy - Ran Lahav

 

  

Topics for contemplation

 
 
Topic 6:
Creativity and the Openness of Reality
 
     
 
 
Friedrich Nietzsche, Thus Spoke Zarathustra
Walter Kaufmann, The Portable Nietzsche, New York: Penguin, 1984, p. 137-139
 
From On the Three Metamorphoses
Of three metamorphoses of the spirit I tell you: how the spirit becomes a camel; and the camel, a lion; and the lion, finally, a child.
(…)
                My brothers, why is there a need in the spirit for the lion? Why is not the beast of burden, which renounces and is reverent, enough?
                To create new values—that even the lion cannot do; but the creation of freedom for oneself for new creations—that is within the power of the lion. The creation of freedom for oneself and a sacred "No" even to duty —for that, my brothers, the lion is needed. To assume the right to new values—that is the most terrifying assumption for a reverent spirit that would bear much. Verily, to him it is preying, and a matter for a beast of prey. He once loved "thou shalt" as most sacred; now he must find illusion and caprice even in the most sacred, that freedom from his love may become his prey; the lion is needed for such prey.
                But say, my brothers, what can the child do that even the lion could not do? Why must the preying lion still become a child? The child is innocence and forgetting, a new beginning, a game, a self-propelled wheel, a first movement, a sacred "Yes." For the game of creation, my brothers, a sacred "Yes" is needed: the spirit now wills his own will, and he who had been lost to the world now conquers his own world.
 
 
Henri Bergson, Creative Evolution
Translated by Arthur Mitchell, New York: Random House, 1951, p. 8-10
 
Our personality, which is being built up each instant with its accumulated experience, changes without ceasing. By changing, it prevents any state, although superficially identical with another, from ever repeating it in its very depth. That is why our duration is irreversible. We could not live over again a single moment, for we should have to begin by effacing the memory of all that had followed. Even could we erase this memory from our intellect, we could not from our will.
                Thus our personality shoots, grows and ripens without ceasing. Each of its moments is something new added to what was before. We may go further: it is not only something new, but something unforeseeable. Doubtless, my present state is explained by what was in me and by what was acting on me a moment ago. In analyzing it I should find no other elements. But even a superhuman intelligence would not have been able to foresee the simple indivisible form which gives to these purely abstract elements their concrete organization. For to foresee consists of projecting into the future what has been perceived in the past, or of imagining for a later time a new grouping, in a new order, of elements already perceived. But that which has never been perceived, and which is at the same time simple, is necessarily unforeseeable. Now such is the case with each of our states, regarded as moments in a history that is gradually unfolding: it is simple, and it cannot have been already perceived, since it concentrates in its indivisibility all that has been perceived and what the present is adding to it besides. It is an original moment of a no less original history.
                The finished portrait is explained by the features of the model, by the nature of the artist, by the colors spread out on the palette; but, even with the knowledge of what explains it, no one, not even the artist, could have foreseen exactly what the portrait would be, for to predict it would have been to produce it before it was produced—an absurd hypothesis which is its own refutation. Even so with regard to the moments of our life, of which we are the artisans. Each of them is a kind of creation. And just as the talent of the painter is formed or deformed—in any case, is modified—under the very influence of the words he produces, so each of our states, at the moment of its issue, modifies our personality, being indeed the new form that we are just assuming. It is then right to say that what we do depends on what we are; but it is necessary to add also that we are, to a certain extent, what we do, and that we are creating ourselves continually.
(…)
We are seeking only the precise meaning that our consciousness gives to this word "exist," and we find that, for a conscious being, to exist is to change, to change is to mature, to mature is to go on creating oneself endlessly.
 

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